![]() ![]() She hopes her animated films will facilitate a connection to others struggling with similar issues. I tend to want to isolate when I’m not feeling good, and I’ve had to learn that the only thing that brings me out of that is human connection,” Sutton said. “Then, as I was making it, COVID happened, and it was the first time that I felt like everyone was kind of depressed. Sutton told me that the film initially came from her own feelings of depression. The way out of this deprived state becomes clear: Sutton’s puppets need meaningful interactions with one another to introduce spontaneity into their lives. But as striking as the absurd monotony is their isolation. I grew up at 522 N Goodman St just 5 blocks from the one and only original Bay. Sutton’s characters are mostly devoid of any expression, driven by an innate, unrelenting momentum-the obligation to finish a daily list of chores or tasks for no apparent reward. Online ordering menu for inactive CARPE DIEM PIZZA. It’s easy to see the influence of the pandemic. Originally working toward becoming a “dark and moody painter” at the Maryland Institute College of Art, she soon realized the limits of the craft and decided to turn to animation after finding that she preferred having multiple frames in which to tell a story. “I feel like animation separates us from the world in a way that makes hard things easier to digest because you’re looking at them through these characters and these beautiful worlds,” Sutton said, of her chosen medium. #Carpe diem pizza freeAnother man rolls out of bed in a room littered with empty beer bottles and a pizza box on the floor, indicating that he’s not exactly living the carpe-diem life style projected by the off-center “Seize the Day” poster on his wall. View deals for Carpe Diem Orchard Home, including fully refundable rates with free cancellation. We see a man taking long, lethargic steps while mowing his lawn, staring straight ahead as new tufts of dark green grass pop up behind him immediately after he cuts them down. Indeed, this preëmptive comic relief is appreciated and quickly justified. “I picked that scene first just because I wanted the viewer to go in not so scared of what they were going to watch for the next five minutes,” Sutton told me. A kind of Sisyphus, for staying hydrated. An Old English sheepdog laps up water from a red bowl while simultaneously holding up one of his hind legs to release a stream of yellow urine. The opening scene of Kenzie Sutton’s stop-motion-animation film “Somebody Take the Wheel” establishes the surreal nature of this five-minute glimpse of a world on loop. ![]()
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